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Music of James Bond Inbunden – 1 November 2012

Engelska utgåvan av Adjunct Assistant Professor of Scoring for Motion Pictures and Television Jon Burlingame (Författare)

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The Music of James Bond
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The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales.

Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond.

The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace.

New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.

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Längd (tryckt bok)

304 sidor
Språk

Engelska
Utgivare

Oxford University Press, USA
Publiceringsdatum

1 November 2012
ISBN-10

019986330X
ISBN-13

978-0199863303
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Recension

"When it comes to writing about film music, Jon Burlingame is the man with the Midas touch. Both casual fans and 007 aficionados should find this book to be enlightening, informative, and great fun to read." --Leonard Maltin

"Jon Burlingame has written an amazing behind-the-scenes dossier, revealing the personalities, the betrayals, the egos, the lawsuits, and the untold stories behind 007's hits and misses. Nobody does it better than Bond, and nobody knows Bond music better than Burlingame." --John Cork, co-author, James Bond, The Legacy

"A magnificent work. Not only has Mr. Burlingame assembled a meticulously researched history of the James Bond music, but, being an expert on musical scoring and composers, he offers a degree of music appreciation and insight that few possess. James Bond fans will devour this like Beluga caviar and Dom Perignon champagne." --Steven Jay Rubin, author of The Complete James Bond Movie Encyclopedia

"Jon Burlingame provides the intriguing and often fascinating story behind the one heretofore neglected aspect of the James Bond phenomenon: the soundtracks and the incredibly talented people behind them. The Music of James Bond manages to be exhaustively researched, yet highly entertaining. Those of us who pride ourselves on being 007 scholars will be humbled by the wealth of new insights the author reveals. With this indispensable book, Burlingame reaffirms his status as one of the world's foremost experts on motion picture soundtracks." --Lee Pfeiffer, co-author, The Incredible World of 007 and The Essential Bond, and Editor-in-Chief, Cinema Retro Magazine

"Jon Burlingame has crafted an authoritative and uniquely informative volume--the definitive examination of a major contribution in the longevity of the James Bond film series. The Music of James Bond is packed with memorable quotes and a sprinkling of photographic gems."--Graham Rye, Editor & Publisher, 007 MAGAZINE

"At last, a worthy historical analysis of 007 that finally puts the music in the spotlight; often neglected and overlooked, John Barry's distinctive sound played a pivotal part in defining James Bond's screen persona. Jon Burlingame's incredibly detailed account successfully threads together the full story, and in doing so, reveals more twists and turns than an Ian Fleming novel. --Geoff Leonard and Pete Walker, co-authors, John Barry: The Man With the Midas Touch

"The Bond films bounce from one locale and storyline to another, with the music serving as our constant frame of reference. And so it probably deserves a biography unto itself: a snappy, efficient and gossip-heavy one such as The Music of James Bond by Jon Burlingame." -- Colin Fleming, The Washington Post

"The tunes and scores that have graced the 007 franchise finally get their due in this exhaustively researched and consistently fascinating chronicle." -- Neil Smith, Total Film

"THE MUSIC OF JAMES BOND is an immensely readable and satisfyingly comprehensive study of an overlooked aspect to the Bond films' success. I couldn't put it down." -- Neil Shurley, Examiner.com

"[A] thorough and engaging account of the composers, singers, and lyricists who have contributed the stylistically eclectic scores and title songs for James Bond films over the past fifty years... For connoisseurs of Bond films and their scores, The Music of James Bond will likely become an indispensable part of their collection."-- Journal of the Society for American Music

Om författaren

Jon Burlingame is one of the nation's leading writers on the subject of music for film and television. He writes regularly for Daily Variety and teaches film-music history at the University of Southern California. His other work has included three previous books on film and TV music; articles for other publications including The New York Times, Los Angeles Times, The Washington Post, and Premiere and Emmy magazines; and producing radio specials for Los Angeles classical station KUSC.

Produktinformation

Utgivare ‏ : ‎ Oxford University Press, USA (1 November 2012)
Språk ‏ : ‎ Engelska
Inbunden ‏ : ‎ 304 sidor
ISBN-10 ‏ : ‎ 019986330X
ISBN-13 ‏ : ‎ 978-0199863303

Rangordning för bästsäljare: #293,186 i Böcker (Visa Topp 100 i Böcker)
- #151 i Filmproduktion och -teknik
- #587 i Filmhistoria & kritik
- #872 i Musikhistoria & kritik

Kundrecensioner:
78 betyg

Kundrecensioner

4,7 av 5

78 övergripande betyg

5 stjärnor		79%
4 stjärnor		16%
3 stjärnor		6%
2 stjärnor 0% (0%)		0%
1 stjärna 0% (0%)		0%

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Global Citizen

A must for all Bond fans.

Recenserad i Storbritannien den 10 september 2019

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Incredibly informative, and with some golden nuggets of information unearthed. The depth of information varies from film to film but that's not surprising given that many of the principal players have now died and were unavailable to be interviewed. But to have this single topic in one book has to be a treasure trove for all serious fans.
If there is a gripe, it would have been interesting to have more on how the music was rated by critics, and some insight into why, as soundtracks, they have never been as popular as the films. I would have also liked more primary interviews with some of the singers and certainly people like Paul McCartney on the process of writing, rather than using existing published interviews.

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Tobias Churton

The accounts of each score read more like music reviews than music analysis

Recenserad i Storbritannien den 12 december 2014

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I should have expected to see more detail concerning the music itself. If, as the author maintains, the James Bond scores are significant as music, not only in terms of their place in popular cultural history, we should have been granted information as to key, harmonies, chord and tone, detailed orchestration and recording techniques. The accounts of each score read more like music reviews than music analysis. The author generally describes what is apparent to most enthusiasts of the music (the principal market for the book, presumably). One might have expected to see the odd snippet of music manuscript. Compare with Wilfrid Mellors's account of Beatles music where technical musical analysis was presented in such a way as to be accessible and interesting to non-composers/musicians. There is much entertaining information into issues surrounding the production of the Bond films and the book is well written - a mercy given the repetitive nature of series production. But with a book published by OUP devoted to the music, I think a more mature assessment of the creative originality of John Barry in particular was vital, but in my view largely absent. Too much showbiz, not enough music. A little disappointing.

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Mr. RE Johnson

Stirred and definitely shaken!

Recenserad i Storbritannien den 22 november 2012

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If anyone is interested in film music, and in particular the music associated with James Bond, this is the book for you. Its interesting, informative and entertaining. Jon Burlingame has done an amazing job of going through the music of not only the official Bond films, but also the original casino Royale and Never Say Never Again. I've been a John Barry fan for over 40 years, and there were things in the book that I wasn't aware of! A must for film music fans everywhere!

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Stephen

A good read on the background to James Bond music

Recenserad i Storbritannien den 29 juli 2021

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A good discussion of the composers and arrangers of music used in James Bond films.

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Brian S.

A Good Read

Recenserad i Storbritannien den 9 januari 2019

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This is a good read from Jon Burlingame on the often neglected component of the Bond films....The Music. This is full of fascinating insights into the trials and tribulations of the composers and producers to get 007 the right sound for the big screen.

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