I was so pleased to see that Brandon Sanderson had extended his original Mistborn Trilogy, as I found the magical system he’d developed for the series, that of Allomancy, Feruchemy, and Hemalurgy – processes whereby practitioners burn/employ different metals, and, after blending & activating them with the essence of his or her own body or mind to produce the desired outcome – to be innovative, and somewhat different to other fantasy novels I’ve read of late.
And what an extension it proved to be. This is what the back cover reveals:
*******
Three hundred years after the events of the Mistborn trilogy, Scadrial is now on the verge of modernity, with railroads to supplement the canals, electric lighting in the streets and the homes of the wealthy, and the first steel-framed skyscrapers racing for the clouds.
Kelsier, Vin, Elend, Sazed, Spook, and the rest are now part of history―or religion. Yet even as science and technology are reaching new heights, the old magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands known as the Roughs, they are crucial tools for the brave men and women attempting to establish order and justice.
One such is Waxillium Ladrian, a rare Twinborn, who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax has been forced by family tragedy to return to the metropolis of Elendel. Now he must reluctantly put away his guns and assume the duties and dignity incumbent upon the head of a noble house. Or so he thinks, until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs.
*******
Now, I don’t know about you, but I found the premise to be rather refreshing. Scadrial has been brought forward in time, and we’re given a glimpse of what has become of the world and its people after our heroes and heroines put things right at the end of the last trilogy.
For the most part, society has drawn together in what is now the Elendel Basin, a prepared and cultivated region surrounding its namesake capital and other provincial towns for many miles in all directions. Life is good. People are civilized. And culture, law and order is an accepted way of life. Beyond the encircling mountains, however, is The Roughs; a wilderness plains area, much like the wild west of cowboys & Indians fame. Life is much harsher there, and people look to gun slinging lawmen and women to keep the peace.
The three metallic arts still exist, though Allomancy and Feruchemy are by far the most widely practiced. (Hemalurgy, it seems, is unknown in the modern world, its secrets being kept by the kandra who survived Scadrial’s rebirth)
Of the populace, there are those who are capable of burning just one of the 16 arcane metals, be it as an Allomancer or as a Feruchemist in a single form, or there are the twinborn. Those blessed with both an allomantic and feruchemical capability combined.
So what happens?
Vin, Elend, Sazed and Spook may have guaranteed the world’s survival and the coming of a new age, but people are still people. And as we see, while society as a whole has advanced – to a degree – there are those still intent on getting what they want by any means necessary. Fair or foul. Lords continue to be aloof. The downtrodden, rebellious. And villains? Oh, they’re always out for what they can get. And when you combine all three?
Great rollicking fun! That’s what.
I’ve often thought it odd when successful writers allow their universes to remain static for so long. Brandon Sanderson hasn’t made that mistake. And by allowing Scadrial to progress over the intervening three hundred years, it injects a breath of fresh air into a well-established world, and a superb slant on his ever-evolving story arc.
The Alloy of Law is markedly shorter. At 325 pages, its half the length of his other Mistborn novels. But that doesn’t reduce the enjoyment. Our protagonists and antagonists are well thought out and skillfully introduced. And the relationship between Wax and Wayne is particularly engaging. (Reminding me, to some degree, of Alias Smith & Jones) – You’ll see. The dialogue is sharp; the slow burn a treat; the action – when it comes – relentless; and that story arc I mentioned? It’s a treasure to behold, as it allows the continuing mystery to establish deeper roots, to develop, and evolve into an appealing murder-mystery-whodunnit-action-adventure.
Or to put it succinctly: Sherlock Holmes meets Butch Cassidy & The Sundance Kid.
(And yes, I’m already into the second in this series)

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The Alloy of Law: A Mistborn Novel (Engelska) Pocketbok – 13 September 2012
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Produktinformation
- Utgivare : Orion Publishing Co; 1:a utgåvan (13 September 2012)
- Språk : Engelska
- Pocketbok : 336 sidor
- ISBN-10 : 0575105836
- ISBN-13 : 978-0575105836
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Mr. A Weston
5,0 av 5 stjärnor
Sherlock Holmes meets Butch Cassidy & The Sundance Kid
Granskad i Storbritannien den 7 april 2021Verifierat köp
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Darren Williams
5,0 av 5 stjärnor
Action; humour; intrigue; magic; complete escapism!
Granskad i Storbritannien den 22 januari 2021Verifierat köp
If you’re already a fan of Brandon Sanderson’s novels...then you won’t be disappointed with this one; it’s full of action sequences, humour, and intriguing twists.
The characters are well drawn, and ‘Wayne’ in particular is hilarious!
I would recommend that all potential readers of this novel read the original Mistborn trilogy first though, because otherwise the use of ‘Allomancy’ and ‘Feruchemistry’ by the characters in this book won’t be easy to grasp; nor will the references to people and events in the original novels...because this one is set 300 years after those events.
I love this novel, and I’m halfway through the one that follows it. Looking forward to reading the next in the series 👍
The characters are well drawn, and ‘Wayne’ in particular is hilarious!
I would recommend that all potential readers of this novel read the original Mistborn trilogy first though, because otherwise the use of ‘Allomancy’ and ‘Feruchemistry’ by the characters in this book won’t be easy to grasp; nor will the references to people and events in the original novels...because this one is set 300 years after those events.
I love this novel, and I’m halfway through the one that follows it. Looking forward to reading the next in the series 👍

Alaran
4,0 av 5 stjärnor
Allomancy enters a new era
Granskad i Storbritannien den 23 december 2014Verifierat köp
If you have read the original Mistborn trilogy this novel may initially seem a little disappointing. This does not last long however. One of the great strengths of this book is that it is both quite different and somehow still similar to the proceeding Mistborn novels. Unlike the others ‘Alloy of Law’ is not set in a ‘fantasy’ type world. It is, however, set in exactly the same world, mostly the same city, but in a much later era. The world has drastically altered with the passage of time, essentially because the events of the Mistborn trilogy have allowed it to do so. It makes for an interesting choice of sequel. The ash falls, deep mists and oppression that characterised the original trilogy are gone. They are replaced by a world that incorporates an industrialisation process within a semi wild-west style society. More importantly it is a somewhat more optimistic land; again due to the events of the previous novels which have slipped into legend and history.
What remains is the fantastic magic system of the Mistborn trilogy. It has developed and changed with time but is still quite familiar and similar. The well thought out process and explanation for the magic system is still present.
The story itself, perhaps, lacks some of the depth and intrigue of Sanderson’s usual novels as it is much smaller (around half the page count). The main plot concentrates around a simpler storyline (on the face of it) concerning a crime wave of heists that the main protagonist becomes involved in and seeks to stop. However, there are plenty of plot developments as the story progresses that easily set things up and provide a promising outlook for further novels to follow these characters and events.
The characterisation is extremely strong throughout. Waxillium is a well-developed and sympathetic lead protagonist and hi relationship with his almost sidekick, Wayne, quite entertaining. I’m not sure, however, about naming a duo of characters Wax and Wayne. There are some strong villains throughout, even some of the minor ones, with some clearly being developed for future novels.
Characteristically of Sanderson it is another great work of secondary creation. This is a rich world with, clearly, more to come and a welcome return to the Mistborn series.
What remains is the fantastic magic system of the Mistborn trilogy. It has developed and changed with time but is still quite familiar and similar. The well thought out process and explanation for the magic system is still present.
The story itself, perhaps, lacks some of the depth and intrigue of Sanderson’s usual novels as it is much smaller (around half the page count). The main plot concentrates around a simpler storyline (on the face of it) concerning a crime wave of heists that the main protagonist becomes involved in and seeks to stop. However, there are plenty of plot developments as the story progresses that easily set things up and provide a promising outlook for further novels to follow these characters and events.
The characterisation is extremely strong throughout. Waxillium is a well-developed and sympathetic lead protagonist and hi relationship with his almost sidekick, Wayne, quite entertaining. I’m not sure, however, about naming a duo of characters Wax and Wayne. There are some strong villains throughout, even some of the minor ones, with some clearly being developed for future novels.
Characteristically of Sanderson it is another great work of secondary creation. This is a rich world with, clearly, more to come and a welcome return to the Mistborn series.

M. Wilcox
4,0 av 5 stjärnor
Great book, but not a great Mistborn book.
Granskad i Storbritannien den 24 november 2011Verifierat köp
This is a sequel of sorts to the fantastic Mistborn trilogy and is set about 300 years after the events those books descibe.
With Alloy of Law, Sanderson has started to write the type of story I've wanted to read (and failed to write) for years - a fantasy epic that spans large chunks of time and throws off a lot of 'fantasy' tropes. His original plan had been to write a trilogy of sequels set considerably further in the future, with technology levels at or greater than our own. I am aching to read those stories as they mirror ideas I've had for a long time. But, that's not what Alloy of Law is. This book is a middle ground between the historical points that pair of trilogies were intended to mark. In Alloy of Law we have railway networks, the beginnings of electricity in general use, and the start of the motor vehicles era: it's roughly equivalent to late 19th or early 20th century Earth. There are guns as well as magic. I adore the setting, it works spectacularly. I don't doubt it will also upset a few "purists", and that's a good sign as far as I'm concerned.
Onto Alloy of Law itself then; The story itself is decent, witty, well paced, engaging, and well worth reading. The characters are likewise engaging, likeable, and well written. But none of it is up to the standards set by the Mistborn Trilogy. This book was written to clear the authors head between other projects, and it shows in the lack of depth and lack of length (this is a short book). What depth it does have come from the borrowings of the Mistborn lore and its setting within that universe. If this story remained largely the same but wasn't explicitly Mistborn it would be a very pleasant throw-away novel, forgotten soon after reading. With that said, the ending pages (literally the last few) made my eyes pop and got me very excited. Those pages made it surprisingly clear that no matter how I'd enjoyed the book, it never got as good as the original trilogy. Those final pages also opened a heck of a lot of things up and left me with a feeling that Allow of Law is merely the first chapter in a much larger and more interesting story. Whether it is or not, I don't know, but they made the entire book feel like a minor side-arc while something truly momentous was going on elsewhere. I like that, weirdly. But I want to know so much more, and the book doesn't deliver on that.
The book as an object:
I ordered the paper-back because I happen to have the Mistborn Trilogy in paperback, and I wanted this sequel to fit comfortably next to those books on my shelf. The (beautiful and minimalist) art style on the cover is the same too, which is great. It's a shame then that the publishers have had a "strategy meeting" and messed up the book itself. Rather than stick with the same format/dimensions as the existing trilogy they've produced a far larger book that has the following drawbacks:
* It's out of place with the existing trilogy and doesn't fit on the bookshelf
* It's too big to comfortably hold one-handed as a soft-back, it'd be fine as a hard-back
* The book feels like some low-brow or teen-orientated affair due to the larger font and huge gap between lines of text
Now, I am pretty sure why they've done this, and the reasons are two-fold:
Firstly the story is much shorter than previous Mistborn books, maybe about half the word count by rough guestimate. Making the text bigger and increasing the gap between the lines is the same trick you likely used as a school-kid to pad out your homework and make it look more substantial than it was. Not that any publisher will admit to that, they will pretend that 'the new format is easier to read and better for the consumer'. Because we all struggle so much with regular books. Putting this next to Tolkein's LOTR paperback is a hilarious example of the discrepancy in information density between the physically larger book and the actually larger book. And I don't think 'small print' stopped LOTR, or the previous Mistborn trilogy, from becoming a success.
Secondly, I think they're trying to get the fantastic artwork that is on internal pages displayed at a scale that works (and I suspect they feel having pictures in the book helps it sell to a younger audience too). Sadly, this fails regardless of the over-sized paperback format due to the decision to print that artwork at full-bleed, edge-to-edge. Which looks great, don't get me wrong because I actually like that look, but it means you can't read anything on that artwork that gets close to the spine. It felt like I was missing a treat that was right in front of me - like the proverbial monkey unable to get the cookie out of the jar as his fist is too big.
If I'd known before ordering that the paper-back book was like this, I'd have ordered the hardback version.
With Alloy of Law, Sanderson has started to write the type of story I've wanted to read (and failed to write) for years - a fantasy epic that spans large chunks of time and throws off a lot of 'fantasy' tropes. His original plan had been to write a trilogy of sequels set considerably further in the future, with technology levels at or greater than our own. I am aching to read those stories as they mirror ideas I've had for a long time. But, that's not what Alloy of Law is. This book is a middle ground between the historical points that pair of trilogies were intended to mark. In Alloy of Law we have railway networks, the beginnings of electricity in general use, and the start of the motor vehicles era: it's roughly equivalent to late 19th or early 20th century Earth. There are guns as well as magic. I adore the setting, it works spectacularly. I don't doubt it will also upset a few "purists", and that's a good sign as far as I'm concerned.
Onto Alloy of Law itself then; The story itself is decent, witty, well paced, engaging, and well worth reading. The characters are likewise engaging, likeable, and well written. But none of it is up to the standards set by the Mistborn Trilogy. This book was written to clear the authors head between other projects, and it shows in the lack of depth and lack of length (this is a short book). What depth it does have come from the borrowings of the Mistborn lore and its setting within that universe. If this story remained largely the same but wasn't explicitly Mistborn it would be a very pleasant throw-away novel, forgotten soon after reading. With that said, the ending pages (literally the last few) made my eyes pop and got me very excited. Those pages made it surprisingly clear that no matter how I'd enjoyed the book, it never got as good as the original trilogy. Those final pages also opened a heck of a lot of things up and left me with a feeling that Allow of Law is merely the first chapter in a much larger and more interesting story. Whether it is or not, I don't know, but they made the entire book feel like a minor side-arc while something truly momentous was going on elsewhere. I like that, weirdly. But I want to know so much more, and the book doesn't deliver on that.
The book as an object:
I ordered the paper-back because I happen to have the Mistborn Trilogy in paperback, and I wanted this sequel to fit comfortably next to those books on my shelf. The (beautiful and minimalist) art style on the cover is the same too, which is great. It's a shame then that the publishers have had a "strategy meeting" and messed up the book itself. Rather than stick with the same format/dimensions as the existing trilogy they've produced a far larger book that has the following drawbacks:
* It's out of place with the existing trilogy and doesn't fit on the bookshelf
* It's too big to comfortably hold one-handed as a soft-back, it'd be fine as a hard-back
* The book feels like some low-brow or teen-orientated affair due to the larger font and huge gap between lines of text
Now, I am pretty sure why they've done this, and the reasons are two-fold:
Firstly the story is much shorter than previous Mistborn books, maybe about half the word count by rough guestimate. Making the text bigger and increasing the gap between the lines is the same trick you likely used as a school-kid to pad out your homework and make it look more substantial than it was. Not that any publisher will admit to that, they will pretend that 'the new format is easier to read and better for the consumer'. Because we all struggle so much with regular books. Putting this next to Tolkein's LOTR paperback is a hilarious example of the discrepancy in information density between the physically larger book and the actually larger book. And I don't think 'small print' stopped LOTR, or the previous Mistborn trilogy, from becoming a success.
Secondly, I think they're trying to get the fantastic artwork that is on internal pages displayed at a scale that works (and I suspect they feel having pictures in the book helps it sell to a younger audience too). Sadly, this fails regardless of the over-sized paperback format due to the decision to print that artwork at full-bleed, edge-to-edge. Which looks great, don't get me wrong because I actually like that look, but it means you can't read anything on that artwork that gets close to the spine. It felt like I was missing a treat that was right in front of me - like the proverbial monkey unable to get the cookie out of the jar as his fist is too big.
If I'd known before ordering that the paper-back book was like this, I'd have ordered the hardback version.

Andrew
5,0 av 5 stjärnor
Brilliant read
Granskad i Storbritannien den 8 december 2012Verifierat köp
The Mistborn trilogy was the best series I've read in a long time. I'm now buying everything Brandon Sanderson writes regardless of whether the plot synopsis immediately appeals to me, and he isn't letting me down. This guy is TALENTED.
The Alloy of Law is set in the same world as the Mistborn Trilogy but takes place long after, the events of those books now being a source of legend and even religions. Technology has moved on and the current setting is placed at the technological level of the wild west but with the intriguing addition of the alloy 'magic' system. You don't need to have read the original series to enjoy this book, it works well on its own. Existing fans will already understand the unique 'magic' system and will know the background to the religions that have sprung up, but newcomers won't be left scratching their heads.
Where this book shines brightest is in the banter between the main characters. The plot line is serious, the characters warm and genuinely funny. The book runs along at a cracking pace, which is almost a shame as it is is shorter than I would have liked. Every page turned brings you closer to the end, and I wanted more! The book is billed as a stand alone novel, and has a satisfying ending, but is clearly left open for more books to follow. I'll definitely be buying them if they do.
The Alloy of Law is set in the same world as the Mistborn Trilogy but takes place long after, the events of those books now being a source of legend and even religions. Technology has moved on and the current setting is placed at the technological level of the wild west but with the intriguing addition of the alloy 'magic' system. You don't need to have read the original series to enjoy this book, it works well on its own. Existing fans will already understand the unique 'magic' system and will know the background to the religions that have sprung up, but newcomers won't be left scratching their heads.
Where this book shines brightest is in the banter between the main characters. The plot line is serious, the characters warm and genuinely funny. The book runs along at a cracking pace, which is almost a shame as it is is shorter than I would have liked. Every page turned brings you closer to the end, and I wanted more! The book is billed as a stand alone novel, and has a satisfying ending, but is clearly left open for more books to follow. I'll definitely be buying them if they do.